![]() Today this technique is being explored by many contemporary printmakers. Any areas of the image where color should not appear must be cut away from the block, resulting in. The multi-step process begins with the carving of wooden blocks. An example of an early Japanese print is shown Right. Mokuhanga is a traditional printing technique once used commercially in Japan to mass produce images such as Katsushika Hokusai’s famous The Great Wave off Kanagawa. Most people will probably be familiar with it through ukiyo-e prints, such as those by Utamaro, Hokusai, Hiroshige et al. As best I can tell the term itself just refers to Japanese woodblock or woodblock printmaking. This traditional Japanese printing method emerged in the 17th century. For quite some time I've debated trying Moku Hanga printmaking. ![]() It is very different from Western style woodcut that uses oil-based inks. Mokuhanga means 'woodblock print' in Japanese. Essential to this process are appropriate materials, including imported Japanese plywood (shina), waterbased pigments, washi and special brushes to apply the colour. Many printing variations are achievable with slight adjustments of water, use or not of rice paste, and local applications of pigment. Printing using a baren on Japanese washi papers with gouache pigments give mokuhanga it's pronounced characteristics: the colours are absorbed into the paper as a graphic stain thanks to the long fibres characteristice of washi. A waterbased printmaking method, mokuhanga involves planning a graphic image, transferring the outlines to one or more woodblocks, carving and printing it.Īn effective registration method using carved notches in the wood called "kento", ensures that the separated colours fall exactly where you want them. An example of an early Japanese print is shown Right. This traditional Japanese printing method emerged in the 17th century. Mokuhanga means 'woodblock print' in Japanese.
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